Kelowna sweater | Good Night, Day

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I feel like this sweater really flew off my needles; it took a little over a week to complete. I’m more confidently fixing mistakes and I’ve got the magic loop technique down now too.

This yarn is so pretty, but holy hell does it shed. It’s on everything I own and it’s made its way into my mouth on more than one occasion. But it’s significantly thinner than the other bulky yarns I’ve been using and I really appreciate the drape of the final fabric.

The yarn is Loopy Mango’s Mohair So Soft in tiramisu, purchased from Close Knit. I made the size XS/S and used a little over 6 skeins. My current bust measurement is 38″ and the finished measurement for this size is 42″.

I followed the directions for the purling rows, but I’m a little unsure about the first row being so much closer than the others. If I make another, I’d probably space them out the same number of rows, or omit the fist one all together. The instructions say to hold two strands together for the neckline, but I totally didn’t read that part. Hoping it doesn’t stretch out too much with wear. Whoops.

This is the first project I actually knit a gauge swatch for, but I was too impatient to block said swatch. Whatever! It measured what it was supposed to and my knitting has loosened up! Have I blocked this garment yet? Nope. It went straight on my body. How am I supposed to wait?!

In the middle of making this sweater, I learned how to knit continental, which I thought I would hate, but I love it! The instructor in this Domestika class demoed continental in a way that my brain understood, so I thought I’d just try it. I can see how continental could speed up my knitting. Even though I think I prefer continental, I decided to finished knitting my Kelowna sweater English style to keep everything consistent and I need to finish the Trefann this way too (above).

I’m really proud of this make. It’s made me feel like I understand knitting. And because of that, I made a test swatch for the Louise Pullover!

Larkin bomber | Seamwork

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On a rare trip to Joann Fabrics a couple years ago, I found this quilted fabric in the upholstery section. I really liked the grid pattern and it almost looked like some quilted denim jackets I’d been eyeing.

I thought it would make a really cool Ilford jacket, but I didn’t make a muslin and I didn’t really read through the instructions for the plackets and collar. Once I was able to try it on, it was far too big and I started to question how good those details would look in this bulky material.

No shame to the Ilford pattern at all, this was just a case of wrong size + weird fabric = mental pattern abandonment.

Another year or so later, the Seamwork Larkin was released and after passing by that abandoned Ilford in my closet, inspiration hit.

The pattern is not drafted for bulky material, so I knew it was a bit of a gamble. The poly batting is pretty lofty, so this time I thought I should do some tests before diving in.

I had enough scraps leftover from cutting out the Ilford to make a sample welt pocket and it was easier and nicer looking than I thought. On the final jacket, I deviated from the instructions a bit by hiding all of the edge stitching in the ditch and omitting the bar tacks. I think they look pretty sharp.

After the successful welt pocket, it was time to source more materials and cut up the Ilford. I wasn’t sure there would be enough fabric since the pattern pieces have very different shapes, especially the sleeves. I was barely able to get two sleeves, two fronts, and the back out of it. But I did, and pattern matched too!

For the Ilford, I had purchased a small amount matching Kona cotton for the under collar and button plackets, but didn’t have enough for the Larkin facings, welts, and zip guard. I bought more Kona cotton in the color I thought I had originally purchased, but it’s definitely different. Dang dye lots.

The new color, which didn’t match as well, was used for the facings inside the jacket, and the old, better matching cotton was used for the welts and zip guard.

Sourcing matching ribbing, lining, and a zip wasn’t the easiest, but I think the subtle color differences are kinda nice. I bought a lot of multiples trying to get the best match. WAWAK was out of the color zip that looked most similar, but once most of the tape was hidden, the one I bought ended up blending in pretty well. I found the ribbing and lining at Mill End. The ribbing I chose isn’t quite as robust as the other one and it collapses a little bit, but sometimes you gotta make those trade offs.

I made a straight size 8 with no modifications other than adding a little hang loop. Currently, my measurements are 38″ bust, 31-2″ waist, and 40″ hips.

Aside from the sleeves being a wee bit too long (what I get for rarely making a muslin), I’m super happy with this jacket! It was the perfect slow down project with some fun challenges from my funky fabric choice. I’ve worn it almost every day I leave the house and it’s a great mild winter layer.

Strathcona sweater | Good Night, Day

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After years of being mad at knitting, I’m feeling pretty great with these last few projects. And I might even try more complicated patterns soon. I’m looking at you, bobble sweater and fancy cardigan.

This pattern felt a lot faster than my last sweater project. I’m happy I finally tried an in-the-round pattern. I will never go back to pieced together sweaters.

I’m still figuring out how to loosen up and “get gauge.” I knit very tightly because my brain tricks me into thinking that’s the “correct way” to do it and that there will be huge holes if I don’t. No clue where these ideas came from.

At this stage I did question the fit, but I had enough room at the underarms and decided to keep going. This sweater is probably smaller than it should be, but I actually like the way it ended up fitting.

The sleeves are a bit shorter than the pattern called for, but it’s so warm, I kind of appreciate some of my arms being exposed.

PATTERN: Strathcona sweater by Good Night, Day

YARN: Cascade Magnum in Olive Oil Tweed

SIZE: S/M

I don’t love the way the neckline collapses under my chin. I probably should have done fewer rows, but I think this is also just how it goes without any shaping. I’m intrigued by those German short rows I’ve read about. And looking at the sample photos, my neckline is definitely knit tighter so, whoops!

Up next, I’m casting on the Trefann sweater!