Vote Biden / Harris. Not 3rd party, and for the love of everything, not red.
Last week, someone sent me this post on Instagram. Please check it out!
In the words of the organizers, let’s:
Elizabeth Suzann was my introduction to ethical fashion. On the ES blog Liz Pape, the owner, would talk openly about pricing and consumption, business practices, environmental impact, and many other important topics. In addition to its unique business practices, ES had so many beautiful and functional designs.
Unfortunately, after two-ish months into the pandemic, it was announced that ES would be closing.
This incredibly sad announcement also came with the promise of eventually making the patterns available (and free) to the public. Bittersweet news for the sewing community.
Favorites like Clyde, Georgia, Harper, and Florence are available through this
newsletter. The Dropbox link (the only thing you’ll be sent through the newsletter) will be updated with patterns until Liz Pape is able and ready to release them herself.
Currently, it’s just the patterns, no instructions, but many makers have already posted mini sewalongs on Instagram. Tutorials can be found via #ESMadeByMe. I’ve also shared how I constructed this in an IG highlight, but you can also view it at the end of this post.
Now for the most important part, donations. As these patterns are open source/free, we’ve been encouraged to donation to Black-led social justice organizations. Since I’ve downloaded the Clyde jumpsuit and work pants, as well as the Harper tunic, I’ve donated $15 to each of the organizations listed in the newsletter, and will continue to donate that amount per pattern download. I’m also planning to donate $5 each time I make a garment using any ES pattern.
UPDATE: due to the overwhelming response to the newsletter, it has since been shut down. It became too large of a project for our community members to manage. Liz Pape will be making them available sometime in the future, so hang tight. I will not email out the patterns I’ve downloaded.
PATTERN: Clyde jumpsuit by Elizabeth Suzann
FABRIC: 8 oz thrifted denim I had in my stash (blue denim), 10 oz natural bull demin from Stonemountain Fabrics (off-white)
SIZE: medium short (blue denim), small short (natural denim)
ACCESSORIES: me made shoes and necklace, Block Shop Textiles mask
I really love these jumpsuits. There aren’t any closures; the neckline should be wide enough to fit over your hips. The design is part of the ES signature collection and can be worn any season. The armholes can accommodate a sweater in cooler weather, or a t-shirt / on its own in warmer weather.
The iconic pockets are deep and sit slightly away from your body. They pretty much remove the need to carry a purse.
If you’re unsure about sizing, there are a lot of measurement available on the ES website. If after checking the size charts you’re still unsure, make a muslin.
UPDATE: recently learned all made-to-order ES products were washed after being sewn. The ES team did a lot of research into shrinkage rates for their fabrics, so I would not suggest you do the same. Prewash your fabric in the same way you will wash the finished garment, measure using the stitch lines on the pattern pieces to gauge if certain areas will fit you well, and make a muslin!
UPDATE: after wearing the small several days in a row, I think I will add 1/2″ – 1″ to the torso length. I still need to compare the finished “rise” on the medium to determine what additional length is needed to be able to bend comfortably in the small.
I will probably make two more jumpsuits. I’m imaging one in black linen and another in a brown linen. But before I make those, I’m off to make a Harper tunic.
This slideshow shares my method for sewing up the Clyde jumpsuit.
If you regularly have cold feet and you’re looking for a scrap busting project, make these. For a quilting project, they sewed up pretty quickly and would make great gifts.
PATTERN: Quilted Slippers by Sew DIY, view A Booties
FABRIC: boro stripe in flax (main), speckled linen cotton blend (lining), Big Sur Canvas (sole), leftover batting
SIZE: B – I wear US women’s size 6 shoe but used the finished measurements chart to select size
MODS: made the opening about an 1″ wider. I did this for two reasons; it was a little challenging to get my foot in and I couldn’t attach the lining and exterior together because it wouldn’t fit around the arm of my machine.
Listened to ‘So you want to talk about race’ by Ijeoma Oluo while making these.
This post had to start off with my color inspiration for my Slabtown, which was another Klum House bag. I finished this Fremont Tote in early May and it’s the perfect day bag.
It has two exterior pockets that are perfect for my phone and a mask, plus a d-ring to clip my keys to. It has a small interior pocket for my wallet and sanitizing wipes, and a spacious main compartment for other essentials. Enough room for a book, sketchbook, planner, snacks, sunglasses, etc. – it’s really the perfect size.
I purchased the Fremont Full Maker Kit, which included all of the hardware (brass), pre-cut and marked waxed canvas and lining (natural), and pre-cut and punched leather (tan).
This greenish gray waxed canvas has been in my stash for years, I honestly don’t remember what I bought it for, but it felt like the perfect accent fabric. Once Klum House reached out to see if I’d be up for making the Slabtown (duh), I knew I would have to make a matching backpack. The pair will be a great travel set in the future (I hope… please wear a mask).
I also decided to add a monogram leather tab to play with my Leather Stamps Kit.
KH Full Maker Kits are so good. They include EVERYTHING and you can also purchase the necessary tools. I’m not sure if the full maker kit comes with the pattern, but I received it since the lovely KH folx knew I needed to cut my accent. The instruction booklet also comes with labels so you can keep track of everything.
It’s really easy to agonize over the color combinations available. Klum House even released a few new colors (hi, field tan) with the Slabtown release. But I stuck to my matching set plan and was gifted the Slabtown Full Maker Kit, the felt strap expansion pack, and class in mid-May.
I gained access to the class before my kit arrived and watched the whole thing that same evening. It’s comprehensive, digestible, and Ellie is delightful. It makes the whole experience really approachable and fun.
Side panels constructed and ready for hardware. What the backside of tubular rivets look like.
Each step in this project is so rewarding. Here’s my fully constructed front. I ended up adding another line of topstitching on the hidden pocket zipper because there was about an 1/8″ of raw edges peeking into my front pocket. My accent fabric was surprisingly stretchy.
I used the interior pocket from my Fremont kit. It was leftover because I ended up using the greenish gray waxed canvas. I guessed at its placement and it worked out great!
Front and back become one, then on to boxed corners! The seams are finished with twill tape and once again Klum House shares some extremely helpful construction tips.
Once the rolltop is on, the last step is adding the straps!
The strap reinforcement leather is the perfect place to personalize with stamps.
Although there are other parts of my Slabtown that aren’t perfect, the way I messed up the straps is super disappointing. All of the leather is pre-punched for you, but if you get the felt expansion pack you’ll need to punch four holes in your straps. And I punched one of them 1/2″ off. GAH.
My solution was to add this silly little leather loop. I will eventually add a brass key ring so I can clip my keys to it. I guess it’s better than a random hole?
I’m so happy with these bags. Klum House provides you with the most complete and caring experience with their kits. I cannot recommend their patterns and products enough. It blows my mind that I made these.
A mask is not a restriction of your freedom. It’s a simple courtesy. If you’re out, wear one.
PATTERN: State the Label
Would anyone like to join me in having regular anti-racism check-ins? I’m envisioning it as a way to stay engaged and accountable, as well as a way to share educational resources and actions. It’s not a fully formed idea yet, but maybe you can help with that!
If you’re interested, please sent me a DM on Instagram!
White people. Self educate, listen, reflect, uplift, strive to be antiracist.
I will be sharing my imperfect self education here because making is not untouched by racism. And I’m imposing accountability on myself. I’ve opted out for too long.
I am reading White Fragility starting today. It’s a book I got while I was still teaching. I recognize I should be reading Black authors, but this is what I have available today. I will read Ijeoma Oluo’s and Ibram X. Kendi’s books shown above once I can source them from Black-owned bookstores.
My stash has gotten a bit out of control. Simply put, I’m buying a shit ton more fabric than I’m sewing. And that’s right, I have some coming in the mail too. I try to buy fabric with a pattern in mind, but sometimes I don’t, or I change my mind… You know how it goes. So I’m going back to a tried and true method – drawing flats and pairing them with swatches. The only thing that’s different is I’m taking them out of my sketchbook and hopefully posting them somewhere super visible in my space. Oh, and documenting them here. I think once a project is completed, the drawing and swatch will go back into a sketchbook.
During Me Made May, my goal is to make as many comfy WFH pants as possible. We’ll see how much gets done.
Jumpsuits + Sets
I have a lot more in my stash, but these are the current fabrics and patterns that excite me. How do you plan?