Not A Primary Color

I’ve been in a making funk lately. Maybe it’s the weather, maybe it’s because work life isn’t killing my soul and I don’t need an outlet as much anymore. I don’t necessarily feel bad about it, it’s just weird to have lazy hands.

I started writing this post well before COVID-19, but now I’m in even more of a personal making funk. I want to make things but my brain is really scattered and I’m finding the process not as satisfying.

I’m so grateful for my job, our house, food, the company of my husband and dog, and our current good health. I hope you have what you need during this weird and scary time and you are able to find some peace in making right now, or know it’s okay to take a break . Now on to the make details since I find looking at other’s makes a nice distraction.

My first LB Pullover was made out of this super textural woven cotton I found at Bolt. I can’t find it on their website, but check them out anyway – they have a lot of amazing fabrics and if we’re able, we should support small fabric stores right now.

The second version I made used this drool-worthy jersey knit from North of West, another great small PDX business. The sister duo occasionally hosts warehouse sales where you can scoop up yards of fun fabric. I purchased three fabric bundles which had well over 12 yards of fabric! If you’re interested in scoring some of their fabric, follow them on Instagram and hopefully in the near future we can all meet up at their warehouse.

The third and fourth versions also used North of West fabric. The cream squiggle print is a yummy terry. The other black version I made for my mom.

PATTERN – LB Pullover by Paper Theory

FABRICS – see above

SIZE – 8 for myself, 6 for my mom

MODS – none

The LB Pullover is a great basic pattern – perfect for beginners, or if you’re wanting a quick and satisfying sew. I’m pretty much living in these right now.

Victorian nightgown or not, I went for it and made another Wilder Gown. This was actually the first one I wanted to make, but Stonemountain had just shy the amount of yardage I needed, so it was put on the back burner until more stock came in.

PATTERN – Wilder Gown by Friday Pattern Company

FABRIC – Textured Yarn Dyed Cotton Square Stitch in Black from Stonemountain Fabric

SIZE – Medium

MODS – read on

ACCESSORIES – Sienna Maker Jacket, vintage roper boots.

For this version I shorted the skirt pattern piece by 2″, shortening the dress overall by 4″, which I think works much better on my 5’2″ frame. The bottom tier of the skirt is made up of three panels and I decided to make it into two so everything needed to be cut on cross-grain (it’s a LONG pattern piece).

I also, of course, added in-seam pockets. Twirl on!

Back in April, Heather from Closet Case Patterns asked if it would be okay if an upcoming fall pattern was named after me. She said it wasn’t quite ready to share, but that it was “worker jacket realness” and “totes my jam.” And then she sent the flats and I about fainted.

I have been dreaming of making a chore jacket for a good, long while and this one literally has my name on it!

PATTERN: Sienna Maker Jacket by Closet Case Patterns

FABRIC: 10oz indigo denim from Stonemountain

SIZE: 8, view B

MODS: omitted the belt

ACCESSORIES: Raspberry Rucksack, Mitchell Jumpsuit, Baleen earrings, Clark’s shoes

I have a total of three versions planned and this denim one was made specially for the Stonemountain Sewists program. As a Stonemountain Sewist, I received a stipend to purchase fabric, sew up an indie pattern with said fabric, and answer a few questions on the Stonemountain blog. You can read all about why I chose this yummy denim here.

I have a natural bull denim set aside for view A and a beige canvas for another view B. The fabrics are, of course, from Stonemountain.

Up until this project, I had only used matching topstitching thread on denim projects. Silly me. Even though there are some wobbly bits, the contrasting thread looks so good against the indigo!

For the facing, I changed up the construction following Natalie Ebaugh’s Fancy Facing tutorial in her stories. It was a little awkward with the long facing pieces but I really love the clean edges. I will definitely use this method on other projects.

On my next two versions, I will shorten the sleeve a bit, probably 2-4″. I love the look of a rolled cuff, but there’s just a little too much fabric hanging out in that roll.

I’ve worn this jacket every day since finishing it. It’s such a good fall layering piece. I might add some antique brass snaps to the front closure, but I’m going to wear it for a while before I decide if they’re needed.

I love this pattern and I’m so honored to have been its muse!

I love a good boxy top and I’ve made quite a few. But the Bo. Why, oh why did I wait so dang long to make the Bo?! IT’S THE PERFECT BOXY TOP.

PATTERN: Bo top by Seamwork

FABRIC: Seedlings by Anna Maria Horner

SIZE: 6

MODS: raised neckline by about an inch

This beautiful fabric has been languishing in my stash for years. Thankfully I had juuuuust enough to make this top. Bo is a quick and satisfying sew and I’m certain I’ll make many more.

I’ve added yet another bag to my growing collection of Klum Houses – the Oberlin Tote!

Klum House has really perfected bag making. The instructions lovingly walk you through each step and the maker kits have everything you need. Really though, you can unroll your tube of supplies and have yourself a beautiful, functional, and high quality bag in a few hours.

Klum House reached out to me a few months ago to ask if I’d be up for sewing the revamped Oberlin, and despite my impending move, I said yes. I was super stoked to be able to pick up the kit in person after moving to Portland!

The Oberlin is an elevated tote. It features FOUR exterior pockets, sturdy leather straps, an interior zipper pocket, and now with the relaunch, an optional zipper closure and lining. I opted to add both of the expansions because I can’t say no to lining a bag and I know I’ll actually use a tote if it can secure stuff underneath a zipper.

Klum House has so many colors of waxed canvas to choose from, but I defaulted to the same colors I used for my Maywood – dark brown (looks like a warm black) and brush brown, but with brown leather straps. I love the brush brown color so much, I wish I had leaned in an done the whole bag in it. Oh well!

One of the many things I appreciate about Klum House patterns and kits is the fun details. I mean I can’t think of a better way to finish a zipper. That little end tab is perfection! Also I really want a new key chain just so I clip my keys to that little D-ring.

The Oberlin is a really versatile size. It’s great for toting your everyday things around and I can see it working well as a travel bag too. The zipper expansion pops up allowing you to really cram it full of stuff.

The instructions allow you to customize your Oberlin. Only want to add the lining? The main instructions tell you exactly when to pop over to the lining PDF. Want to do both the lining and the zipper expansion? The instructions tell you when to switch from the main instructions to the zipper PDF, and then from the zipper instructions to the lining PDF.

I had one hiccup in the construction, but mostly because I was frantically sewing late at night to finish her up. The last sewing step before hammering in the straps is that line of stitching at the top, which I somehow managed to make three ugly folds in. Having never tried it before, I was really nervous about ripping stitching out on waxed canvas, but the puckers were bad and I had to. After redoing the stitching, I blasted the waxed canvas with a HOT hair dryer and now you can barely see the previous holes.

For the lining, I used some plain ol’ cotton duck from my stash. I think a bright lining in a cavernous bag is best! I’m really impressed with how clean the finish is with the lining and zipper expansions. All of the seams are hidden, except for a small opening in the lining to turn it right side out.

Full disclosure this bag took me a while to make, but only because in the middle of making it, I had to move all of my sewing stuff to another part of my house. We’re doing some construction in my soon to be fabulous sewing space and it started a lot sooner than I anticipated. I definitely misplaced so many things while moving which caused some fun challenges – who needs pins?!?! The construction is also why I wasn’t able to snap any blog or Instagram worthy progress pics.

Click here to shop Oberlin!

Disclosure: I received the Oberlin Maker Kit for free but all thoughts and opinions are my own. If you use the above link to purchase a Klum House product, I will receive a small commission from the sale with no change in cost to you.

I did it. I finally sewed something and it’s way outside of my usual style.

Not long ago, on this very blog, I declared a hatred of ruffles, and here I am covered in them. There are more ruffled garments planned too. I guess I’ve changed my mind.

PATTERN – Wilder Gown by Friday Pattern Company

FABRIC – Japanese Yarn Dyed Dobby in Wheat from Stonemountain

SIZE – medium

MODS – none

ACCESSORIES – Baleen earrings, vintage shoes.

I can’t say that this garment has been a huge hit with my partner – “you look like you’re wearing a Victorian nightgown,” . . . “there’s no amount of swishing that’ll make that look good,” and “are you wearing that nightgown outside?” have all been uttered by his usually supportive mouth. Oh well – I’m here for this lewk.

PATTERN – Wiksten Shift by Wiksten

FABRIC – Japanese Yarn Dyed Dobby in Black Walnut from Stonemountain

SIZE – 4 (went with my hip measurement)

MODS – none

ACCESSORIES – Clogs are Bryr and necklace is by Fanny Penny. Both worn for my wedding!

Jenny over at Wiksten kindly sent me this pattern shortly before it was released. After opening it up and drooling over the beautiful photos in the instruction booklet, I became super irritated that life wouldn’t allow me to dive right in to making one.

But the school year finally ended, packing up the house for our impending move was in a sort of good place, and I had just picked up this amazing fabric on my last trip to Stonemountain… it had to happen.

So I made a deal with myself that once this idea was out of my head and on my body, I’d pack up my sewing space.

After all, my last summer break as a teacher should include at least one day of uninterrupted sewing, right?!

This texture is just so good! The fabric is probably a little more structured than the pattern calls for, but I don’t care.

I contemplated shortening the length while tracing off the pattern, but decided not to. I’m happy with its length even though I’m sure it was drafted for someone taller than 5’2″.

Pattern matching is not my strong suit, so I am wicked proud of the side seams and patch pockets.

I had hoped to have this dress finished for a family wedding in May, but that didn’t happen, so I wore it out to a super casual breakfast yesterday morning.

Layered over some tights and worn with a sweater, this textile works year-round. I love it when a garment turns out to be seasonless.

Yep, pretty sure once we’ve moved and my new, huge studio space is set up , I’ll be making the Shift Top too.